日韩当代大师展

前言
邻近中国的日本及韩国艺术因为中国艺术的茁壮也快速地成长起来，而这两个国家的艺术有它们本身的强烈特质。

日本的当代艺术设计感强烈，草间弥生为其重要艺术家。草间弥生在欧美已经有很高成就，她很早就将那疯狂、可爱的小点点与服装、家具、手提包等作结合。天野喜孝透过动画、电玩来推动邪气般的插画艺术。而日本中青代艺术家，如奈良美智、村上隆，对世界的可爱卡通艺术更是具有先导的作用。

韩国的艺术家对材质的探索及立体作品的多样发展是全世界有目共睹的。金昌烈在国际艺术史上已经有非常高的地位，他早期就对在材质上的创作有着不少的研究，对韩国当代艺术有着很大的影响。而李容得的作品，虚和实、光和影的矛盾利用极致，也是韩国典型的立体艺术家代表。

在中国艺术发光的同时，也吸引了更多人关注亚洲国家的艺术作品，而这些艺术家的作品也值得我们细细的欣赏及了解。

Flourishing of Chinese art scene influenced greatly the artdevelopment of other Asian countries, such as Korea andJapan. And both countries’ contemporary art hastheir strong characteristics.

Japanese Contemporary art has a strong designcharacteristic. Japanese artist Yayoi Kusama isalready well known around the world. Her crazyyet cute dots were used in her design for fashion, furniture andhandbags. Yoshitaka Amano introduced his devilishyet romantic illustrative art through animations and videogames. And Yoshitomo Nara and Takashi Murakamiintroduce Super Flat and Cute Culture to the world artcommunity.

Korean artists have in-depth knowledge of materials and threedimensional objects. Kim Tschang Yuel is one ofthe most established Korean artists who worked on variety ofmaterials, such as sand and wood. His way ofexperimenting and creating works influenced a lot of Koreanartists. Lee Yong Deok’s sculpture emphasizes theimportance of light and shadow, negative and positive, which isanother artist with strong Korean characteristic.

The striving of Chinese art scene, directly or indirectlyinfluenced contemporary art of other Asiancountries. And those art works deserve our closeattention as well.

草间弥生－帽子65.2X53布面丙烯1981

村上隆-后备的双螺旋72X72版画2000_resize

金昌烈-回归-195X300布面丙烯2004_resize

李容德-跳水200X116X20混合媒材2006_resize

奈良美智－阴霾天30.6X22.2版画2002_resize

天野喜孝-呀！(双联)200X200不锈钢-丙烯2006_resize

梦想与现实之间的磨合让我读懂很多生活的语言，风虽改变了方向，却没有改变我的行程-----

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