REN ADAMS版画艺术作品

作为一名道士，她的工作是移动冥想既是形式和道本身的分析，调查的平衡，和谐，启蒙，意识和时间观念，而庆祝的普通非凡。Through “li,” or “vigorous strength,”lines and forms are expressive, conveying a sense of immediacy thatunites philosophy, history, nature and mysticism.通过“礼”或“苍劲的力量，”线条和形式表现，传达直接的感觉，团结哲学，历史，自然和神秘主义

亚当斯的工作由传统的中国，日本，波斯，印度和埃及的绘画和版画的影响。 In addition, she finds a strong attractionto the works of Brice Marden, Wassily Kandinsky, Shiko Munakata,Franz Kline, Shitao, the German Expressionists, AbstractExpressionism and ancient cave frescoes .此外，她发现一个强大的吸引力布莱斯马登，康定斯基，栋方志功，弗朗茨·克莱恩，石涛，德国表现主义，抽象表现主义和古代洞穴壁画的作品。Blending historical forms with theinundation of contemporary media, internet and pop culture, Renfollows Baudelaire's suggestion that "originality comes from theseal which time imprints on our senses." 融合了历史形态与现代媒体，互联网和流行文化的泛滥，任如下波德莱尔的建议，即“创意来自于密封的时间印记在我们的感官。”Each piece may draw upon the past, existin the present, and recognize the future, but it is the result ofeyes and hands affected by years of exposure to the world andinformation in a unique way. 在过去的每片可借鉴，存在于现在，并认识到未来，却是眼睛和手受几年接触到的世界和信息以独特的方式的结果

她目前的项目相结合版画与中国传统的水墨画，东方哲学，科学和考古学。 Her primary body of work (and thesis), TheArchaeology of Being, is an expansive show which discusses thenature of existence and form through experimental prints and mixedmedia. 她的工作主要机构（和论文），即考古学，是一个广阔的展示，讨论存在的本质，并通过实验版画及混合媒介形式。The Archaeology of Being projectculminated in a solo exhibit, thesis and a public artist talkpresented at the University of New Mexico.作为项目的考古最终在一个个展，论文和公共艺术家讲座在新墨西哥大学提出。In addition to producing several newthemed series and exploring various methods of hybrid printmaking,Adams recently completed an internship at Tamarind Institute, washeavily active in the UNM print department, has participated in anumber of print exchanges and group exhibitions and recentlycompleted an honor's thesis in printmaking.除了​​生产一些新的主题系列，探索混合版画的各种方法，亚当斯最近完成了实习机会。罗望子学院，是大量活跃在新墨西哥大学版画系，先后参加了多项打印的交流和群展和最近完成的一项荣誉的论文版画

最初致力于表演艺术，诗歌和人文，亚当斯接受了她的博鳌亚洲论坛在工作室艺术（版画浓度）从新墨西哥大学，她也有一定程度的英语，在人类学未成年人。She teaches classes in art and humanitiesthrough the University of New Mexico and her privatestudio. 她通过新墨西哥大学和她的私人工作室任教班级在艺术和人文科学

亚当斯担任公关的工厂5日艺术空间在新墨西哥州阿尔伯克基，都被她也是根据罗伯特Redus助理展协调员。She was co-founder and President of theDuke City Renegades Art Guild and founded The Wooden Cow Galleryand Art Space, a massive co-operative project.她是杜克大学城叛教者艺术协会的共同创办人兼总裁，并创立了木牛画廊和艺术空间，一个巨大的合作项目。Adams served as gallery President andAdvertising Director during early operations and was responsiblefor a variety of inventive fundraising techniques.亚当斯担任画廊总裁兼广告总监在早期运营，并负责各种创造性的筹资技巧。Adams is a member of the Chinese BrushPainting Society of Kyoto, The Southern Graphics CouncilInternational (printmaking), and the Golden Key InternationalHonors Society. 亚当斯是京都，南显卡委员会国际（版画）和金钥匙国际荣誉协会的中国画学会会员。She has also worked as a printer's andartist's assistant to Shaurya Kumar and completed an internship atTamarind Institute in 2011. 她还担任过打印机和艺术家的助手ShauryaKumar和完成了实习的罗望子学院在2011年

亚当斯还曾在事件的协调和一直负责多项主题表演和展览的创建和执行。 She has participated in several printexchanges and has given lectures, demos, and presentations onprintmaking, art and the humanities in various professionalsettings. 她曾参加过多次打印的交流，并给予讲座，演示，和版画，艺术以及各种专业设置人文介绍。Adams's work appears in a variety ofpublications, textbooks, magazines and nonfictioneditions. 亚当斯的作品出现在各种出版物，教科书，杂志和非小说版本

亚当斯出生于1974年在洛杉矶县，加利福尼亚州。Her parents (Rosalie Adams Rushing andCraige Adams) are also artists in the Los Angelesarea. 她的父母（罗莎莉·亚当斯冲和Craige旅游亚当斯）也是艺术家在洛杉矶地区

梦想与现实之间的磨合让我读懂很多生活的语言，风虽改变了方向，却没有改变我的行程-----

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